Sunday, 07 February 2010

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Ecole de Paris Ecole de Paris (art) This article is about art. For the philosophical school, see School of Paris. Amedeo Modigliani, Portrait of Paul Guillaume, 1916. School of Paris is called an unorthodox group of artists working in Paris (France) in the interwar period (1915-1940), linked to various artistic styles such as post-impressionism, expressionism and surrealism. The term covers a wide range of artists, both French and foreigners residing in the French capital in the interval between the two world wars. At that time the city on the Seine was a fertile center of artistic creation and dissemination, both in its political environment, culturaland economic, as being the source of many avant-garde movements such as Fauvism and Cubism, and place of residence of large masters such as Picasso, Braque, Matisse, Leger, etc.. He was also a remarkable collection center and art galleries.In the Paris School dominated a great stylistic diversity, serving to cover it difficult to classify artists and highly personal work, as Constantin Brancusi, Alexander Archipenko, Juli Gonzalez and photographers Brassa and Kert sz. However, most were linked to a greater or lesser extent Expressionism, while staff and interpreted so heterodox: artists as Amedeo Modigliani, Chaim Soutine, Maurice Utrillo Pascin and were known as "les maudits" (the accursed), by bohemian art and tortured her, reflecting a nocturnal atmosphere, miserable and desperate. By contrast, Marc Chagall is an expressionism more vital, more dynamic and colorful, summarizing his native Russian iconography with the colorful Fauve and Cubist space.Other artists of the school were Jean Arp, Robert Delaunay, Sonia Delaunay, Raoul Dufy, Ren Ich , Tsuguharu Foujita, Emmanuel Man -Katz, Pinchus Kr m gne, Ossip Zadkine, Jacques Lipchitz, Michel Kiko ne, Mo se Kisling, Lasar Segall, and so on.
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EAJ-24 Radio Cordoba In 1929 Rafael Mu oz Navas, Cordoba and ham lawyer, start emission experiments at home with a radio-Man Pull-Six. Together with his friend Joseph Posadillo mounted a small radio station and amateur radio callsign under the EAR - 213 broadcast music and concerts by the municipal band of Cordoba. At the same time published a magazine called "Microphone", the official organ of the new Radio Club de Cordoba.To finance the magazine began looking for companies willing to advertise and that's how their relationship with Frederick Algarra Ramrez, assistant director of an insurance company (Covadonga) and representative of Beer The Eagle. But hear this story of Rafael Mu oz Navas own: Algarra Federico joined the initiative of these two young Cordoba providing capital for the installation of a new station. Got the broadcasting license for Radio Cordoba EAJ-24 in December 1932 (the indicative EAJ-24 came from the now defunct Radio Station Levante). The radio transmitter and antenna were installed in Cordoba Calle Alfonso XIII, No 12. On 14 January 1933 officially opened Radio Cordoba, hold the event in the halls of the Journal of Music Conservatory and attended by among others, Mayor Francisco de la Cruz Ceballos or the chairman of the Provincial Baquerizo Rafael Garcia. Cordoba Radio broadcast on a wavelength of 407 meters, frequency of 1450 kHz and a power of 25 watts on the air. His schedule in those years was broadcast three hours daily: from 13.30 to 15.00 hours and 21.30 to 23.00 hours. In its early years the station aired music doyenne of Cordoba, newsletters, concert programs and literary information cofrade intervention Antonio Arevalo Garcia, Miguel Salcedo Hierro, Jose Priego Garcia and Jose Luis Sanchez Garrido (Jos Luis de C rdoba). C rdoba Radio programming to 31 December 1933 was, for example, the following: at 9...